Sunday, April 27, 2014
Episode 18 - Healing the Head, Healing the Heart
This week, we welcome our special guest Russ Hanser! He chose the theme of Healing for podcast this week and we had a great discussion after watching the 2009 Australian movie My Year Without Sex and we read Ian McEwan's's Atonement from 2001.
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Show Notes:
The Jimmy Smits series we were trying to remember may have been Outlaw, but I can't figure out the connection in Amy's head between that and Kings besides both of them being a one-season series.
Behold, Benedict Cumberbatch's Atonement moustache in all its weaseliness:
Intro music: "Elegy For Dunkirk," by Dario Marianelli
Outro music: "Down Under," by Men At Work
Tuesday, April 15, 2014
Buffy Rewatch: Anya and Cordy and Break-ups and Spike
Season 3 really hits its stride with "Revelations", "Lovers Walk", and "The Wish".
"I have to believe in a better world."
"Go ahead. I have to live in this one."
As I've said previously, the advantage of covering multiple episodes each week in the Buffy Rewatch is being able to skim over less interesting episodes. But the drawback to covering multiple episodes each week is that sometimes I'll want to write about all of the episodes. And this week brings three fantastic episodes - and they're all fantastic in their own ways.
"I have to believe in a better world."
"Go ahead. I have to live in this one."
As I've said previously, the advantage of covering multiple episodes each week in the Buffy Rewatch is being able to skim over less interesting episodes. But the drawback to covering multiple episodes each week is that sometimes I'll want to write about all of the episodes. And this week brings three fantastic episodes - and they're all fantastic in their own ways.
Monday, April 14, 2014
Episode 17 - Saturday Night's All Right For Fighting In A Dystopian Hellscape
It's fun and games this week as we explore dystopian game show/reality shows from before the year 2000! We watched David Cronberg's 1983 classic Videodrome and we read Horace McCoy's They Shoot Horses Don't They from 1935.
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Show Notes:
The three essays from Criterion that we reference in this episode are:
Videodrome: Make Mine Cronenberg, by Carrie Rickey. This one's especially interesting since it was originally written for the Village Voice around the time the movie came out.
Medium Cruel: Reflections on Videodrome, by Tim Lucas
Videodrome: The Slithery Sense of Unreality, by Gary Indiana.
The TVTropes page on Videodrome is also quite useful.
Next Time:
For our episode in two weeks, we'll be watching My Year Without Sex and reading Ian McEwan's Atonement.
The TVTropes page on Videodrome is also quite useful.
Next Time:
For our episode in two weeks, we'll be watching My Year Without Sex and reading Ian McEwan's Atonement.
Random Junk:
Amy makes reference to a Jerry Baker in remembering saxophone players in this episode. She meant the late Gerry Rafferty (1947-2011), who had the wonderful song "Baker Street." [My brain ain't what it used to be. I blame having to memorize how to spell Chmerkovskiy. -- Amy]
The Toronto CityTV signoff, ca. 1979:
Our Twitters:
Joseph
Amy
Randy
Tuesday, April 8, 2014
Buffy Rewatch: Are There Any Nachos In Here, Little Tree?
A quick update this week, as season 3 continues with "Beauty and the Beasts", "Homecoming", and "Band Candy".
"Something's weird."
"Something's not?"
More than 15 years later, some episodes have aged better than others.
"Beauty and the Beasts" was written by Marti Noxon (of "Marti Noxon ruined Buffy" fame), and it is absolutely a Marti Noxon episode. Like season 2's "I Only Have Eyes For You", the plot here revolves around an abusive relationship between minor characters (in this case, friends of Buffy's sort-of boyfriend Scott Hope). And even though the episode also features the whole gang thinking werewolf Oz may have gotten loose and killed people, AND Buffy finding out that Angel is back, all I can think of is the heavy-handed nature of the writing. If I'm feeling like this about early Marti Noxon, how am I going to approach season 6 with an open mind?
"Something's weird."
"Something's not?"
More than 15 years later, some episodes have aged better than others.
"Beauty and the Beasts" was written by Marti Noxon (of "Marti Noxon ruined Buffy" fame), and it is absolutely a Marti Noxon episode. Like season 2's "I Only Have Eyes For You", the plot here revolves around an abusive relationship between minor characters (in this case, friends of Buffy's sort-of boyfriend Scott Hope). And even though the episode also features the whole gang thinking werewolf Oz may have gotten loose and killed people, AND Buffy finding out that Angel is back, all I can think of is the heavy-handed nature of the writing. If I'm feeling like this about early Marti Noxon, how am I going to approach season 6 with an open mind?
Tuesday, April 1, 2014
Bonus Episode! Randy And Joe Make A Slap Bet
Last night was the How I Met Your Mother finale, so Randy and I threw together a short discussion of the finale, the show in general and what we saw as a bit of an overreaction to how the show ended.
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Buffy Rewatch: Let It Go
Season 3 begins with "Anne", "Dead Man's Party", and "Faith, Hope, and Trick".
"You made some bad choices. You may just have to live with some consequences."
One of the more frustrating story lines on BREAKING BAD was Jesse's in the first half of season 4. At the end of season 3, Jesse killed the kind, libertarian chemist Gale, as a means of ensuring his and Walt's safety. In season 4, Jesse spiralled into depression, partying and using drugs: anything to numb the pain. It was absolutely required from a character perspective, but it was quite frustrating as a viewer.
"You made some bad choices. You may just have to live with some consequences."
One of the more frustrating story lines on BREAKING BAD was Jesse's in the first half of season 4. At the end of season 3, Jesse killed the kind, libertarian chemist Gale, as a means of ensuring his and Walt's safety. In season 4, Jesse spiralled into depression, partying and using drugs: anything to numb the pain. It was absolutely required from a character perspective, but it was quite frustrating as a viewer.
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